Nashörner

It is at the end of this film that the rhinoceroses occupy center stage and perform mundane activities such as moving from left to right within their zoo pens. And it is right at the end of this that these archaic beasts will slowly and imperturbably cross the threshold of their cage, the door of which will have slid open mechanically. At that moment, gestures attain their intrinsic timelessness, with the camera recording what takes place in front of it in real time. This relative calm for the spectator (nothing is more peaceful than a rhinoceros in its everyday life) contrasts in a spectacular way with the previous frantic minutes. As his work is based upon using time freely, the filmmaker has done his utmost to organize sequences of images according to an acceleration which is external to the animals in the zoo, but coherent within the process of cinematographic creation.